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Add to cartSilver is a unique colour which, due to its unusual combination of pigments, creates a metal sheen closely resembling that of silver.
Chemical description: Aluminium flake Colour index name: PM1 Colour index number: 77000 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: SO
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Read moreCopper is a unique brown colour with warm red undertones. Due to its innovative combination of pigments, it creates a metal sheen closely resembling that of copper.
Series number: 2 Chemical description: Iron oxides/titanium, dioxide coated mica Colour index name: – Colour index number: – Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: SO
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Add to cartBronze is a unique oil colour which is semi-opaque and due to its unusual combination of pigments, creates a metal sheen resembling that of bronze.
Series number: 2 Chemical description: Iron oxides/titanium dioxide coated mica Colour index name: – Colour index number: – Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: SO
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Read moreUnderpainting White (Fast Drying) contains a combination of titanium and zinc pigments. It is an opaque fast drying white with texture, which allows other layers of colour to adhere to it easily.
Colour Number 674 Vehicle Oil Linseed Oil Series1 Permanence AA Permanence Description Extremely Permanent Lightfastness Code I Lightfastness Description Excellent Opacity Description Opaque Pigment CodesPW4 • PW6
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Add to cartZinc White is an opaque white colour based on zinc pigments. It is an excellent tinting white and is also known as Chinese White. It was introduced in the UK by Winsor & Newton in the mid-19th century.
Series number: 1 Chemical description: Zinc oxide Colour index name: PW4 Colour index number: 77947 Permanence rating: AA ASTM lightfastness rating: – Transparency/Opacity: O
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Add to cartGold is a unique colour which, due to its unusual combination of pigments, contains a metal sheen resembling that of gold.
Series number: 2 Chemical description: Iron oxides/titanium dioxide coated mica Colour index name: – Colour index number: – Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: SO
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Add to cartRenaissance Gold is a semi-opaque oil colour. It is a unique colour which due to its unusual combination of pigments, contains a metal sheen resembling that of aged gold.
Series number: 2 Chemical description: Iron oxides/titanium dioxide coated mica Colour index name: – – Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: SO
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Add to cartPewter is a unique silver grey oil colour which is semi-opaque. Due to its unusual combination of pigments, it creates a metal sheen closely resembling that of pewter.
Series number: 2 Chemical description: Iron oxides/titanium dioxide coated mica Colour index name: – – Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: SO
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Read moreIridescent White is a semi-opaque pearlescent white colour. The pearlescent effect is most effective when mixed with transparent colours and even more effective laid over a dark background.
Series number: 1 Chemical description: Titanium dioxide coated mica Colour index name: – – Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: SO
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Add to cartFlake White Hue is an opaque titanium based white formulated to match traditional Flake White while avoiding the use of toxic lead. Flake White can be found in the earliest Chinese paintings found.
Series number: 1 Chemical description: Titanium dioxide, Zinc oxide Colour index name: PW6, PW4 Colour index number: 77891, 77947 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Read moreTitanium White is a clean white pigment. It is the most opaque white pigment and is considered a standard strong white colour.
Color number/code: 644 Series number: 1 Chemical description: Titanium dioxide, Zinc oxide Colour index name: PW6, PW4 Colour index number: 77891, 77947 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartA heavy opaque pigment, Mars Black is a dense black colour with a brown undertone. It is made from mineral iron oxide and was therefore named after the alchemical name for iron: Mars.
Series number: 2 Chemical description: Synthetic iron oxide Colour index name: PBk11 Colour index number: 77499 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartIvory black is a stable all-round black colour with brown undertones and excellent tinting powers. Its name stems from the traditional method for obtaining it: roasting elephant tusks.
Series number: 1 Chemical description: Bone black Colour index name: PBk9 Colour index number: 77267 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: SO
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Add to cartLamp Black is one of the oldest pigments. It is made of pure carbon, originally from the residual soot of burnt oil lamps. It is a black with a bluish tint, producing a variety of cool blue greys.
Series number: 1 Chemical description: Carbon black Colour index name: PBk6 Colour index number: 77266 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartCharcoal Grey, as the name suggests, is made from ground charcoal. It is a dark grey oil colour.
Series number: 1 Chemical description: Ground charcoal Colour index name: PBk8 Colour index number: 77268 Permanence rating: AA ASTM lightfastness rating: – Transparency/Opacity: ST
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Add to cartPayne’s Gray is a dark blue grey made from a mixture of Ultramarine, Mars Black and sometimes Crimson. It was named after the 18th c. water-colourist William Payne who created the mixture and often recommended it to his students as an alternative to plain black.
Series number: 1 Chemical description: Powdered slate, Complex sodium alumino-silicate containing sulphur, Synthetic iron oxide, Carbon black Colour index name: PBk19, PB29, PR101, PBk6 Colour index number: 77017, 77007, 77491, 77266 Permanence rating: AA ASTM lightfastness rating: I
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Add to cartVandyke Brown is a brown pigment named after the Flemish painter Van Dyke who used it in many of his paintings. It is an earth pigment, and is often used for shading.
Series number: 1 Chemical description: Bituminous earth Calcined natural iron oxide Colour index name: PBR7,PR101,PBK9 Colour index number: – , 77491 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: T
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Read moreDavy’s Gray is a soft grey colour traditionally including powdered slate pigments. It was developed by Winsor & Newton for the 19th c English artist Henry Davy, a pupil of famous water-colourist J S Cotman.
Series number: 2 Chemical description: Synthetic iron oxide, Carbon black, Slate powder Colour index name: PY42, PBk7, PBk19 Colour index number: 77492, 77262, 77017 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartIndian Red is an opaque red colour with blue undertones. Originally made of natural red iron oxides found in earth, it is one of the oldest pigments and is favoured for its permanence.
Series number: 2 Chemical description: Synthetic iron oxide Color index name: PR101 Color index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartMars Violet Deep is a soft mauve-brown colour. It is an opaque pigment. It was called Caput Mortuum (meaning ‘head of the dead’) by the Romans, referring to the colour of dried blood.
Series number: 2 Chemical description: Synthetic iron oxide Color index name: PR101 Color index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartBrown Madder is an intense brown colour. Its richness creates layered dark mixes which are useful for an autumn palette. It can be used as an alternative to Burnt Sienna.
Series number: 1 Chemical description: Natural iron oxide, Anthraquinone Color index name: PBr7, PR177 Color index number: 77491, 65300 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Read moreA rich dark brown pigment, Burnt Umber is made from natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined. Burning the raw pigment intensifies its colour.
Series number: 1 Chemical description: Calcined natural earth Colour index name: PBr7 Colour index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartBrown Ochre is one of the oldest pigments used by mankind and can be seen in various pre-historic cave art. Made from natural tinted clays found in the earth, Brown Ochre is a rich versatile brown
Series number: 1 Chemical description: Natural iron oxide Color index name: PBr7 Color index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartTerra Rosa is a warm, brownish red colour. It is an earth pigment, and is also known as Bole. Bole stems from the Latin blus meaning lump of earth. It is an opaque and permanent pigment.
Series number: 1 Chemical description: Synthetic iron oxide Color index name: PR101 Color index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartLight Red is a red earth pigment based on natural and synthetic iron oxide. It is an opaque colour with a brown undertone and is permanent.
Series number: 1 Chemical description: Synthetic iron oxide Color index name: PR101 Color index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartVenetian Red is an opaque deep red colour. An earth pigment, it was called Venetian Red after the quarry near Venice where the painter Titian sourced his earth reds.
Series number: 1 Chemical description: Synthetic iron oxide Color index name: PR101 Color index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Read moreGold Ochre is an earth pigment, and as such, has been used since prehistoric times. It is a warm brownish yellow colour. It has been made synthetically since the 1920s.
Series number: 1 Chemical description: Synthetic iron oxide Color index name: PY42 Color index number: 77492 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartYellow Ochre is a warm yellow colour. Originally made from natural iron oxides found in earth, it is one of the oldest pigments used by mankind. A synthetic version became available in the 1920s.
Series number: 1 Chemical description: Natural iron oxide Color index name: PY43 Color index number: 77492 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Read moreRaw Sienna is a bright brown pigment. One of the oldest pigments, it can be found in prehistoric cave art. It is named after Siena, Italy where the pigment was sourced during the Renaissance.
Series number: 1 Chemical description: Natural iron oxide, Synthetic iron oxide Color index name: PY43, PY42 Color index number: 77492, 77492 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartBurnt Sienna is a rich brown pigment made by burning Raw Sienna. Named after Siena in Italy, where the pigment was sourced during the Renaissance, it is a transparent pigment with red-brown tones
Series number: 1 Chemical description: Synthetic iron oxide Color index name: PR101 Color index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartTransparent Brown Oxide is a warm reddish brown colour. An earth pigment, it is one of the oldest colours used by mankind. It is a transparent pigment and is fully permanent.
Series number: 1 Chemical description: Synthetic iron oxide Color index name: PR101 Color index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartTransparent Maroon is a rich red with strong brown undertones. It is made from the modern Bensimidazalone pigment which was developed by the German company Hoechst in the 1960s.
Series number: 2 Chemical description: Benzimidazalone Color index name: PBr25 Color index number: 12510 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: T
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Add to cartYellow Ochre Pale is a opaque warm yellow. Originally made from natural iron oxides found in earth, it is one of the oldest pigments used by man. A synthetic version became available in the 1920s.
Series number: 1 Chemical description: Synthetic iron oxide Color index name: PY42 Color index number: 77492 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartYellow Ochre Light is a pale warm yellow colour. Originally made from natural iron oxides found in earth, it is one of the oldest pigments used by mankind.
Series number: 1 Chemical description: Natural iron oxide Color index name: PY43 Color index number: 77492 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartNaples Yellow Deep is a warm opaque yellow pigment. Originally its name comes from natural deposits in Mount Vesuvius, Naples. Made artificially since the 15th c, it was part of the Old Masters’ palette.
Series number: 2 Chemical description: Chromium titanium oxide Color index name: PBr24 Color index number: 77310 Permanence rating: AA ASTM lightfastness rating: – Transparency/Opacity: O
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Add to cartSap Green is a bright mid-range green with a yellow undertone. Originally Sap Green was a lake pigment made from unripe Buckthorn berries.
Series number: 4 Chemical description: Isoindolinone, Copper phthalocyanine Color index name: PY110, PB15 Color index number: 56280, 74160 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartJaune Brillant is a soft, pinkish-yellow pigment. It is a variation of Naples Yellow and is an opaque and permanent oil colour.
Series number: 1 Chemical description: Cadmium Zinc Sulphide, Cadmium Zinc Selphoselenide, Basics lead carbonate, Zinc Oxide Color index name: PY35, PR108, PW1, PW4 Color index number: 77205, 77202, 77597, 77947 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartOxide of Chromium is an opaque willow green pigment. Though discovered in 1809 it was only made available for artists in 1862. Today, it is commonly used for camouflage clothing.
Series number: 4 Chemical description: Chromium oxide Color index name: PG17 Color index number: 77288 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartOxide of Chromium is an opaque willow green pigment. Though discovered in 1809 it was only made available for artists in 1862. Today, it is commonly used for camouflage clothing.
Series number: 1 Chemical description: Copper phthalocyanine, Chlorinated copper phthalocyanine, Synthetic iron oxide Color index name: PB15, PG7, PY42 Color index number: 74160, 74260, 77492 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartOxide of Chromium is an opaque willow green pigment. Though discovered in 1809 it was only made available for artists in 1862. Today, it is commonly used for camouflage clothing.
Series number: 4 Chemical description: Cobalt chromite Color index name: PG26 Color index number: 77344 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartOxide of Chromium is an opaque willow green pigment. Though discovered in 1809 it was only made available for artists in 1862. Today, it is commonly used for camouflage clothing.
Series number: 4 Chemical description: Hydrated chromium oxide Color index name: PG18 Color index number: 77289 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartOxide of Chromium is an opaque willow green pigment. Though discovered in 1809 it was only made available for artists in 1862. Today, it is commonly used for camouflage clothing.
Series number: 2 Chemical description: Brominated copper phthalocyanine Color index name: PG36 Color index number: 74265 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartOxide of Chromium is an opaque willow green pigment. Though discovered in 1809 it was only made available for artists in 1862. Today, it is commonly used for camouflage clothing.
Series number: 2 Chemical description: Chlorinated copper phthalocyanine Color index name: PG7 Color index number: 74260 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartPrussian Green is a green transparent oil colour with a yellow undertone. It is lightfast and permanent. It is also called Brunswick Green; after the location where it was first manufactured.
Series number: 2 Chemical description: Isoindolinone, Copper phthalocyanine Color index name: PY110, PB15 Color index number: 56280, 74160 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartWinsor Emerald is a bright clean opaque emerald colour. First documented in 1822, it was originally a deadly colour containing arsenic. It is said to have killed Napoleon as his wallpaper in St Helens was emerald green. Winsor & Newton have since created a non-toxic version closely matching the original colour.
Series number: 2 Chemical description: Brominated copper phthalocyanine, Zinc oxide Color index name: PG36, PW4 Color index number: 74265, 77947 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartPermanent Green Light is a vivid bright green colour. A mixed pigment colour, it is extremely lightfast and permanent.
Series number: 2 Chemical description: Chlorinated copper phthalocyanine, Titanium dioxide, Arylide yellow Colour index name: PG7, PW6, PY74 Colour index number: 74260, 77891, – Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartPermanent Green is a semi-transparent strong green oil colour. A mixed pigment colour, it is extremely lightfast and permanent.
Series number: 2 Chemical description: Quinophthalone, Chlorinated copper phthalocyanine, Titanium dioxide Color index name: PY138, PG7, PW6 Color index number: 56300, 74260, 77891 Permanence rating: A ASTM lightfastness rating: II Transparency/Opacity: ST
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Add to cartPermanent Green Deep is a strong, dark green colour. A mixed pigment colour, it is extremely lightfast and permanent.
Series number: 2 Chemical description: Quinophthalone, Chlorinated copper phthalocyanine, Titanium dioxide Color index name: PY138, PG7, PW6 Color index number: 56300, 74260, 77891 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartTerre Verte is a soft green colour . It was also known as Verona Green as it was mined for near Verona, Italy. It is a transparent pigment with a low tinting strength perfect for mixing flesh tones.
Series number: 1 Chemical description: Natural earth, Hydrated chromium oxide Color index name: PG23, PG18 Color index number: 77009, 77289 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartCobalt Turquoise is a blend of blue and green pigments. The name stems from the French ‘Turquoise’ for the semi-precious stone that was exported to Europe from Persia via Turkey.
Series number: 5 Chemical description: Cobalt chromite Color index name: PB36 Color index number: 77343 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartCobalt Green is a semi-transparent bright green colour with a strong blue undertone. It was discovered by Swedish chemist Sven Rinman in 1780 by making a compound of cobalt and zinc.
Series number: 5 Chemical description: Cobalt chromite, Cobalt titanate Color index name: PG26, PG50 Color index number: 77344, 77377 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: SO
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Read moreUltramarine (Green Shade) is a rich deep transparent blue with green undertones, differing from the red undertones of French Ultramarine. French chemist Guimet created synthetic Ultramarine in 1828.
Series number: 1 Chemical description: Complex sodium alumino-silicate containing sulphur Colour index name: PB29 Colour index number: 77007 Permanence rating: A(iii) ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartWinsor Blue (Red Shade) is a deep intense blue with a red undertone. It is made from the modern pigment Phthalocyanine which was introduced in the 1930s.
Series number: 2 Chemical description: Copper phthalocyanine Colour index name: PB15 Colour index number: 74160 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartWinsor Blue (Green Shade) is a deep intense blue with a green undertone. It is made from the modern pigment Phthalocyanine which was introduced in the 1930s.
Series number: 2 Chemical description: Copper phthalocyanine Colour index name: PB15 Colour index number: 74160 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartCobalt Blue is a clean blue pigment. It was discovered in 1802 by French chemist Louis Thénard as an alternative pigment to the expensive Lapis Lazuli blue pigment.
Series number: 4 Chemical description: Cobalt aluminate Colour index name: PB28 Colour index number: 77346 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartMauve Blue Shade is a violet colour with a strong blue undertone. It is a transparent and lightfast colour. Mauve, originally a lake pigment, was discovered in England in 1856 by Sir William Perkin.
Series number: 1 Chemical description: Quinacridone, Dioxazine violet, Copper phthalocyanine Colour index name: PV19, PV23, PB15 Colour index number: 73900, 51319, 74160 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartWinsor Violet (Dioxazine) is a vivid mid-shade purple pigment. When undiluted, it can be used as a deep black. It is a transparent coal tar pigment and was introduced into the Winsor & Newton range in the 1960s
Series number: 2 Chemical description: Carbazole dioxazine Colour index name: PV23 Colour index number: 51319 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartPrussian Blue is a deep blue colour. It was made by German chemist Diesbach around 1704 making it the first synthetic blue pigment. It quickly gained favour as an alternative to genuine Ultramarine.
Series number: 1 Chemical description: Alkali ferriferrocyanide Colour index name: PB27 Colour index number: 77510 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartIndanthrene Blue is a clean deep blue pigment. It is fully lightfast and transparent. A modern organic pigment, it was originally introduced into the Winsor & Newton range in 1991
Series number: 4 Chemical description: Indanthrone Colour index name: PB60 Colour index number: 69800 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartCobalt Deep Blue is the darker red shade of its sister pigment Cobalt Blue. It was discovered in 1802 by French chemist Louis Thénard as an alternative pigment to the expensive lapis lazuli pigment.
Series number: 5 Chemical description: Cobalt zinc silicate Colour index name: PB74 Colour index number: 77366 Permanence rating: AA ASTM lightfastness rating: – Transparency/Opacity: ST
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Add to cartSeries number: 2 Chemical description: Quinacridone Colour index name: PV19 Colour index number: 73900 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartPurple Madder is a deep rich purple pigment. It is a transparent oil colour. Originally Madder was a lake pigment extracted from the Madder plant. It has been used as a pigment since 7th c BC.
Series number: 2 Chemical description: Benzimidazalone, Quinacridone Colour index name: PBr25, PV19 Colour index number: 12510, 73900 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: T
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Add to cartPurple Lake is a dark purple colour. It is a transparent and cool colour.
Series number: 1 Chemical description: Carbazole dioxazine, Benzimidazolone brown Colour index name: PV23, PBr25 Colour index number: 51319, 12510 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: T
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Add to cartCobalt Violet is a delicate semi-transparent purple pigment. It was a new synthetic pigment in the 1860s and was used by famous artists such as Monet and Seurat.
Series number: 5 Chemical description: Cobalt phosphate Colour index name: PV14 Colour index number: 77360 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartPermanent Mauve is a rich violet colour. It is semi-transparent and lightfast. Mauve, originally a lake pigment, was discovered in England in 1856 by Sir William Perkin.
Series number: 4 Chemical description: Manganese phosphate Colour index name: PV16 Colour index number: 77742 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartRose Madder Genuine is a rose pigment only made by Winsor & Newton. George Field, acclaimed colourist of the 19th centuary, created a laboratory in which to create the best quality Rose Madder. Made from the Madder Plant found in Asia and Southern Europe, Rose Madder is an extremely valuable pigment. Winsor & Newton still use Field’s methods to make the pigment
Series number: 5 Chemical description: Lake of natural madder Colour index name: Nat.R9 Colour index number: 75330 Permanence rating: A ASTM lightfastness rating: II Transparency/Opacity: T
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Add to cartA synthetic lake pigment from the Madder plant, Alizarin Crimson was the first natural dye to be synthesised in 1868. It is a deep transparent red with a blueish undertone.
Colour Number4 Vehicle OilLinseed Oil Series2 PermanenceB Permanence DescriptionModerately Durable Lightfastness Code50903955 Lightfastness DescriptionPoor Opacity DescriptionTransparent Pigment CodesPR83
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Add to cartHighly transparent with a blue undertone, Permanent Alizarin Crimson is a vivid red colour. Introduced in 1994, it has been formulated to a highly permanent red pigment.
Series number: 4 Chemical description: Anthraquinone Colour index name: PR177 Colour index number: 65300 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartPermanent Carmine is a mid-crimson pigment. Highly transparent and permanent, it is a lower cost replacement to genuine Carmine. In Antiquity, Carmine was made from thousands of crushed kermes insects.
Series number: 2 Chemical description: Quinacridone/Pyrrol Colour index name: – – Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: T
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Add to cartWinsor Red is a deep crimson red colour. It is a permanent and lightfast colour.
Series number: 2 Chemical description: Perylene red Colour index name: PR149 Colour index number: 71137 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartA rich dark red, Cadmium Red is an opaque single pigment colour. It can be used for dense layers or diluted for soft effect. A by-product of the zinc industry, Cadmium was discovered in 1817.
Series number: 4 Chemical description: Cadmium sulphoselenide Colour index name: PR108 Colour index number: 77202 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartQuinacridone Red is a vivid mid-red colour. It is a transparent pigment which was first introduced by Winsor & Newton in the 1950s.
Series number: 4 Chemical description: Quinacridone Colour index name: PR209 Colour index number: 73905 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: T
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Read morePermanent Rose is a bright rose violet colour. It is a transparent quinacridone pigment and was introduced in the Winsor & Newton range in the 1950s.
Series number: 2 Chemical description: Quinacridone Colour index name: PV19 Colour index number: 73900 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartRose Dore is a light rose pigment with a subtle yellow undertone. It is a transparent oil colour with staining properties.
Series number: 5 Chemical description: Lake of natural madder Color index name: Nat.R9 Color index number: 75330 Permanence rating: A ASTM lightfastness rating: II Transparency/Opacity: T
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Read moreCadmium Scarlet is a vivid bright red pigment. It is an opaque pigment and has excellent covering abilities. A by-product of the zinc industry, Cadmium was discovered in 1817.
Series number: 4 Chemical description: Cadmium sulphoselenide Colour index name: PR108 Colour index number: 77202 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartScarlet Lake is a bright red with orange-yellow undertones. The name stems from a type of fine woolen cloth called scarlet cloth which was often dyed red, leading it to become the pigment’s name.
Series number: 2 Chemical description: Pyrrol Colour index name: PR255 Colour index number: 561050 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: SO
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Add to cartWinsor Red is a warm mid-range red colour, with orange undertones. It is a permanent and lightfast colour.
Series number: 2 Chemical description: Pyrrol Colour index name: PR255, PR254 Colour index number: 561050, 56110 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: SO
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Add to cartBright Red is a vivid red colour. Transparent, it is based on pyrrole, a pigment known for creating the iconic Ferrari red.
Series number: 1 Chemical description: Pyrrol Colour index name: PR254 Colour index number: 56110 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: T
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Add to cartA single pigment colour, Winsor Orange is a semi-opaque pigment with excellent mixing qualities.
Series number: 2 Chemical description: Pyrrol Colour index name: PO73 Colour index number: 561170 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: SO
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Add to cartA warm, opaque colour, Pale Rose Blush is a carefully selected combination of pigments that resembles a blush tone and is suitable as base for many rose-beige blends.
Series number: 2 Chemical description: Zinc oxide, Quinacridone, Synthetic iron oxide Colour index name: PW4, PV19, PY42 Colour index number: 77947, 73900, 77492 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartA genuine single pigment colour, Cadmium Yellow is a clean yellow colour. It is an opaque pigment with excellent tinting properties. A by-product of the zinc industry, Cadmium was discovered in 1817.
Series number: 4 Chemical description: Cadmium zinc sulphide Colour index name: PY35 Colour index number: 77205 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartWinsor Yellow is a clean bright yellow pigment. It is part of the Yellow Hansa group of modern pigments first developed by the German Hoechst company in the early 1900s.
Series number: 2 Chemical description: Arylide yellow RN Colour index name: PY65 Colour index number: 11740 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartCadmium Yellow Deep is a warm yellow opaque pigment. It is a genuine single pigment colour with excellent tinting qualities. A by-product of the zinc industry, Cadmium was discovered in 1817.
Series number: 4 Chemical description: Cadmium sulphoselenide, Cadmium zinc sulphide Colour index name: PO20, PY35 Colour index number: 77202, 77205 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Read moreCadmium Orange is an opaque orange pigment colour with high tinting strength and good covering abilities. Cadmium pigments were discovered in the 1820s as a by-product to the zinc production.
Series number: 4 Chemical description: Cadmium sulphoselenide, Cadmium sulphoselenide Colour index name: PO20, PR108 Colour index number: 77202, 77202 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartWinsor Yellow is a warm yellow pigment. It is part of the Yellow Hansa group of modern pigments first developed by the German Hoechst company in the early 1900s. It is a semi-transparent colour.
Series number: 2 Chemical description: Arylide yellow Colour index name: PY74 Colour index number: 11741 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartA pale yellow, Chrome Yellow Hue is a carefully combined selection of pigments closely resembling genuine Chrome Yellow without the latter’s defects. Chrome Yellow Hue is lightfast and permanent.
Series number: 1 Chemical description: Arylide yellow, Benzimidazolone orange Colour index name: PY74, PO62 Colour index number: 11741, 11775 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: SO
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Add to cartCadmium Yellow Pale is a light yellow colour. It is an opaque single pigment colour with excellent tinting properties. A by-product of the zinc industry, Cadmium was discovered in 1817.
Series number: 4 Chemical description: Cadmium zinc sulphide Colour index name: PY35 Colour index number: 77205 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Read moreIndian Yellow Deep is a vibrant yellow pigment which is slightly darker than Indian Yellow. Originally a colour created in India from the urine of cows fed exclusively on mango leaves, Winsor & Newton created an alternative that resembles closely to the original.
Chemical description: Nickel azo Colour index name: PY150 Colour index number: 12764 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartLemon Yellow Hue is a strong mid-range yellow colour closely resembling genuine Lemon Yellow made from arylamide pigment
Series number: 4 Chemical description: Nickel titanate Colour index name: PY53 Colour index number: 77788 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartA cool yellow colour, Cadmium Lemon is a single pigment colour with excellent tinting abilities. Cadmium was discovered in 1817. Its stable opaque colours have made it a popular pigment ever since.
Series number: 4 Chemical description: Cadmium zinc sulphide Colour index name: PY35 Colour index number: 77205 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartBismuth Yellow is a bright opaque lemon yellow with excellent covering properties. Originally patented in 1924 by the pharmaceutical industry, it has been used by artists since the 1980s.
Series number: 4 Chemical description: Bismuth vanadate Colour index name: PY184 Colour index number: – Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: O
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Add to cartTransparent Yellow is a bright clean yellow colour. It is a transparent colour with strong tinting properties.
Series number: 4 Chemical description: Azo condensation Colour index name: PY128 Colour index number: 20037 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: T
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Add to cartPayne’s Gray is a dark blue grey made from a mixture of Ultramarine, Mars Black and sometimes Crimson. It was named after the 18th c. water-colourist William Payne who created the mixture and often recommended it to his students as an alternative to plain black.
Colour Number: 465
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PB29,PBk7,PW6
Permanence: Permanent
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Add to cartIvory black is a stable all-round black colour with brown undertones and excellent tinting powers. Its name stems from the traditional method for obtaining it: roasting elephant tusks.
Colour Number: 331
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PBk9
Permanence: Extremely Permanent
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Add to cartLamp Black is one of the oldest pigments. It is made of pure carbon, originally from the residual soot of burnt oil lamps. It is a black with a bluish tint, producing a variety of cool blue greys.
Colour Number: 337
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PBk6
Permanence: Extremely Permanent
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Add to cartYellow Ochre is a warm yellow colour. Originally made from natural iron oxides found in earth, it is one of the oldest pigments used by mankind. A synthetic version became available in the 1920s.
Colour Number: 744
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PY42
Permanence: Extremely Permanent
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Add to cartRaw Sienna is a bright brown pigment. One of the oldest pigments, it can be found in prehistoric cave art. It is named after Siena, Italy where the pigment was sourced during the Renaissance.
Colour Number: 552
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PR101,PY42
Permanence: Extremely Permanent
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Add to cartIndian Red is an opaque red colour with blue undertones. Originally made of natural red iron oxides found in earth, it is one of the oldest pigments and is favoured for its permanence.
Colour Number: 317
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PR101
Permanence: Permanent
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Add to cartBurnt Sienna is a rich brown pigment made by burning Raw Sienna. Named after Siena in Italy, where the pigment was sourced during the Renaissance, it is a transparent pigment with red-brown tones.
Colour Number: 74
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PBk11,PR101
Permanence: Extremely Permanent
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Add to cartA rich dark brown pigment, Burnt Umber is made from natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined. Burning the raw pigment intensifies its colour.
Colour Number: 76
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PBr7
Permanence: Extremely Permanent
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Add to cartVandyke Brown is a brown pigment named after the Flemish painter Van Dyke who used it in many of his paintings. It is an earth pigment, and is often used for shading.
Colour Number: 676
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: NatBr8,PBr7
Permanence: Permanent
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Add to cartTerre Verte is a soft green colour . It was also known as Verona Green as it was mined for near Verona, Italy. It is a transparent pigment with a low tinting strength perfect for mixing flesh tones.
Colour Number: 637
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PG7
Permanence: Permanent
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Add to cartSap Green is a bright mid-range green with a yellow undertone. Originally Sap Green was a lake pigment made from unripe Buckthorn berries.
Colour Number: 599
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PB15,PY110
Permanence: Permanent
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Add to cartNaples Yellow Hue is an opaque warm yellow colour. A combination of pigments, it closely resembles Naples Yellow, whose name comes from its natural deposits in Mount Vesuvius, Naples.
Colour Number: 422
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PR101,PW6,PY42
Permanence: Extremely Permanent
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Add to cartViridian Hue is a transparent emerald green colour. Named after the Latin for green ‘viridis’, it closely matches genuine Viridian.
Colour Number: 696
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PG7
Permanence: Permanent
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Add to cartOxide of Chromium is an opaque willow green pigment. Though discovered in 1809 it was only made available for artists in 1862. Today, it is commonly used for camouflage clothing.
Colour Number: 459
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PG17
Permanence: Extremely Permanent
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Add to cartCobalt Blue Hue is a clean blue pigment closely resembling Cobalt Blue. Genuine Cobalt was discovered in 1802 by French chemist Louis Jacques Thénard as an alternative pigment to the expensive Lapis Lazuli blue.
Colour Number: 179
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PB15:1,PB29,PBk6,PW4,PW5,PW6
Permanence: Permanent
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Add to cartPhthalo Blue is a deep intense blue which when undiluted, forms an inky blue-black. It is made from the modern pigment Phthalocyanine which was introduced in the 1930s.
Colour Number: 516
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PB15
Permanence: Permanent
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Add to cartPrussian Blue is a deep blue colour. It was made by German chemist Diesbach around 1704 making it the first synthetic blue pigment. It quickly gained favour as an alternative to genuine Ultramarine.
Colour Number: 538
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PB27
Permanence: Permanent
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Add to cartPermanent Green Light is a vivid bright green colour. A mixed pigment colour, it is extremely lightfast and permanent.
Colour Number: 483
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PB15:3,PW6,PY74
Permanence: Permanent
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Add to cartHighly transparent with a blue undertone, Permanent Alizarin Crimson is a vivid red colour. Introduced in 1994, it has been formulatedas a highly permanent red pigment.
Colour Number: 468
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PR177
Permanence: Permanent
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Add to cartMagenta is a rich deep violet red colour. It is a transparent pigment. The name Magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy.
Colour Number: 380
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PB15:3,PR122,PW6
Permanence: Permanent
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Add to cartCobalt Violet Hue is a clean rich purple pigment. Its combination pigments resembles genuine Cobalt Violet, a pigment favoured by famous artists such as Monet and Seurat.
Colour Number: 194
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PV19,PV23
Permanence: Permanent
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Add to cartDioxazine Purple is a vivid mid-shade purple pigment. When undiluted, it can be used as a deep black. It is made from a transparent coal tar pigment and was introduced into the Winsor & Newton range in the 1960s.
Colour Number: 229
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PV23
Permanence: Permanent
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Add to cartCerulean Blue Hue is a bright blue pigment with green undertones. It is a careful combination of pigments closely resembling genuine Cerulean Blue.
Colour Number: 138
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PB15:1,PG7,PW4
Permanence: Permanent
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Add to cartCadmium Red Hue is a strong mid-range red colour. It is a carefully selected combination of pigments closely matching genuine Cadmium Red.
Colour Number: 95
Lightfastness: Very Good
Opacity: O
Series: 1
Pigment Code: PR112,PR188,PW6
Permanence: Permanent
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Add to cartVermilion Hue is a bright orange red colour. The genuine pigment was made from toxic mercuric sulphide and was known to the ancient Greeks and Chinese. It is an opaque colour.
Colour Number: 682
Lightfastness: Very Good
Opacity: O
Series: 1
Pigment Code: PO36,PR170,PW6
Permanence: Permanent
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Add to cartA rich dark red, Cadmium Red Deep Hue is a carefully selected combination of pigments closely resembling genuine Cadmium Red Deep.
Colour Number: 98
Lightfastness: Very Good
Opacity: O
Series: 1
Pigment Code: PO36,PR170
Permanence: Permanent
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Add to cartPermanent Rose is a bright rose violet colour. It is a transparent quinacridone pigment and was introduced in the Winsor & Newton range in the 1950s.
Colour Number: 502
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PV19
Permanence: Permanent
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Add to cartCadmium Yellow Hue is a warm yellow colour. It is a versatile rich mid-range yellow.
Colour Number: 109
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PO73,PY65
Permanence: Permanent
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Add to cartCadmium Yellow Deep Hue is a warm yellow colour with orange undertones. It is a carefully selected combination of pigments closely resembling genuine Cadmium Yellow Deep.
Colour Number: 115
Lightfastness: Very Good
Opacity: O
Series: 1
Pigment Code: PO73,PW6,PY65
Permanence: Permanent
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Add to cartCadmium Orange Hue is composed of several pigments closely resembling genuine Cadmium Orange. It is a versatile bright mid-range orange colour.
Colour Number: 90
Lightfastness: Very Good
Opacity: O
Series: 1
Pigment Code: PO73,PY65
Permanence: Permanent
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Add to cartA warm, opaque colour, Pale Rose Blush is a carefully selected combination of pigments that resembles a blush tone and is suitable as base for many rose-beige blends.
Colour Number: 257
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PR188,PW4,PY74
Permanence: Permanent
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Add to cartZinc White is an opaque white colour based on zinc pigments. It is an excellent tinting white and is also known as Chinese White. It was introduced in the UK by Winsor & Newton in the mid-19th century.
Colour Number: 748
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PW4
Permanence: Extremely Permanent
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Add to cartLemon Yellow Hue is a strong mid-range yellow colour closely resembling genuine Lemon Yellow made from arylamide pigment.
Colour Number: 346
Lightfastness: Very Good
Opacity: O
Series: 1
Pigment Code: PW6,PY73
Permanence: Permanent
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Add to cartA cool yellow colour, Cadmium Lemon is a single pigment colour with excellent tinting abilities. Cadmium was discovered in 1817. Its stable opaque colours have made it a popular pigment ever since.
Colour Number: 86
Lightfastness: Excellent
Opacity: O
Series: 2
Pigment Code: PY35
Permanence: Permanent
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Add to cartCadmium Yellow Light is a single pigment colour. It is an opaque, bright yellow with excellent tinting properties.
Colour Number: 113
Lightfastness: Excellent
Opacity: O
Series: 2
Pigment Code: PY35
Permanence: Permanent
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Add to cartTitanium White is a clean white pigment. It is the most opaque white pigment and is considered a standard strong white colour.
Colour Number: 644
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PW4,PW6
Permanence: Extremely Permanent
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Add to cartAs its name suggests, Soft Mixing White is an excellent white mixing colour. A combination of Zinc and Titanium, it is a soft opaque white colour.
Colour Number: 415
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PW4,PW6
Permanence: Extremely Permanent
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Add to cartA yellow with green overtones offering a softer muted addition to the palette.
Colour Number: 280
Lightfastness: Excellent
Opacity: SO
Series: 1
Pigment Code: PG7,PR101,PY42,PY74
Permanence: Permanent
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Add to cartA deep green with a very deep mass tone and natural green undertones that bridges a gap between Sap Green and Oxide of Chromium.
Colour Number: 405
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PB29,PY74
Permanence: Permanent
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Add to cartSits well within the ochres and umbers with a warm soft pink tone, although not an actual earth colour.
Colour Number: 389
Lightfastness: Excellent
Opacity: ST
Series: 1
Pigment Code: PV23,PY74
Permanence: Permanent
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Add to cartA vibrant, semi-opaque red with rich orange mid tones and a soft yellow undertone.
Colour Number: 107
Lightfastness: Excellent
Opacity: SO
Series: 1
Pigment Code: PO73,PR188,PV19,PY74
Permanence: Permanent
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Add to cartA magenta with a bluer undertone that bridges a gap between Magenta and Cobalt Violet Hue.
Colour Number: 250
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PB29,PV19
Permanence: Permanent
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Add to cartA rich violet with a beautiful blue violet undertone that bridges a gap between Dioxazine Purple and French Ultramarine.
Colour Number: 406
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PB29,PV23
Permanence: Permanent
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Add to cartA bright yellow green with a clean, mid-green mass tone and a soft pale lime undertone with a rich yellow bias.
Colour Number: 403
Lightfastness: Excellent
Opacity: O
Series: 1
Pigment Code: PG7,PY74
Permanence: Permanent
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Add to cartA deep muted grey green that provides a range of dark subtle tones.
Colour Number: 48
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PG7,PR177
Permanence: Permanent
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Add to cartPerylene Black is a strong black pigment. It has an exquisite green undertone. It can be used straight or for green and blue mixtures.
Series number: 1 Chemical description: Perylene black Colour index name: PBk31 Colour index number: 71132 Permanence rating: A ASTM lightfastness rating: – Transparency/Opacity: ST
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Read moreIndigo is a deep blue pigment that can range from dark black to pale blue. Originally extracted from plants similar to blue wood used by the ancient Britons, it was synthesized in 1878 in Germany. It is one of the oldest blue pigments used universally.
Series number: 2 Chemical description: Copper phthalocyanine, Complex sodium alumino – silicate containing sulphur, Carbon black Colour index name: PB15, PB29, PBk7 Colour index number: 74160, 77007, 77266 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartBlue Black is a semi-opaque dark blue which when mixed with whites creates blue-grey colours. Blue Black is a permanent alternative to the traditional fugitive Vine Black colour.
Series number: 1 Chemical description: Complex sodium alumino-silicate containing sulphur Bone black Colour index name: PB29, PBk9 Colour index number: 77007, 77267 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: SO
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Add to cartRaw Umber Light is a warm pale brown pigment made by the natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined.
Series number: 1 Chemical description: Natural iron oxide Colour index name: PBr7 Colour index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Read moreRaw Umber (Green Shade) is a rich brown pigment with green undertones made from the natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined.
Series number: 1 Chemical description: Natural iron oxide Colour index name: PBr7 Colour index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartRaw Umber is a rich brown pigment made by the natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined.
Series number: 1 Chemical description: Natural iron oxide Colour index name: PBr7 Colour index number: 77492 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartTransparent Red Ochre is one of the oldest pigments. Originally made from the natural iron oxides found in earth, it is a brownish red pigment and was often used in Michelangelo’s drawings.
Series number: 1 Chemical description: Natural iron oxide Color index name: PR101 Color index number: 77491 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartTransparent Gold Ochre is an earth pigment, and as such, has been used since prehistoric times. It is a warm, brownish yellow colour.
Series number: 2 Chemical description: Natural iron oxide, Synthetic iron oxide Color index name: PBr7, PY42 Color index number: 77492, 77492 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: ST
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Add to cartAn opaque yellow where its name originally comes from natural deposits in Mount Vesuvius, Naples.
Series number: 1 Chemical description: Basics lead carbonate, Zinc oxide, Oxide of Chromium, Antimony, and Titanium Color index name: PW!, PW4, PBr24 Color index number: 77597, 77947, 77310 Permanence rating: A ASTM lightfastness rating: N/L Transparency/Opacity: O
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Add to cartOlive green is a soft brownish green colour named after the soft tones of a natural green olives.
Series number: 2 Chemical description: Isoindolinone, Carbon black Color index name: PY110, PBk6 Color index number: 11775, 77266 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartGreen Gold is a transparent oil colour. It is a rich gold yellow colour with green undertones.
Series number: 2 Chemical description: Azomethine copper complex Color index name: PY129 Color index number: 48042 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartNaples Yellow Light is a pale opaque pinkish-yellow oil colour. Its name comes from natural deposits in Mount Vesuvius, Naples. Made artificially since the 15th c, it was part of the Old Masters’ palette.
Series number: 1 Chemical description: Titanium dioxide, Quinophthalone, Benzimidazalone Color index name: PW6, PY138, PO62 Color index number: 77891, 56300, – Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartManganese Blue Hue is a clear greenish azure blue colour. It is based on the now obsolete Manganese Blue made of Barium Manganate.
Series number: 1 Chemical description: Chlorinated copper phthalocyanine, Copper phthalocyanine Colour index name: PG7, PB15 Colour index number: 74260, 74160 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartPhthalo Turquoise is an intense blue-green pigment with a red undertone. It is made from the modern pigment Phthalocyanine which was introduced in the 1930s. It is a transparent pigment.
Series number: 1 Chemical description: Chlorinated copper phthalocyanine, Copper phthalocyanine Color index name: PG7, PB15 Color index number: 74260, 74160 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartCobalt Turquoise Light is a paler, slightly greener colour to its sister Cobalt Turquoise. A careful blend of blue and green pigments, it is a delicate opaque colour.
Series number: 4 Chemical description: Cobalt titanate Colour index name: PG50 Colour index number: 77377 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartCadmium Green Pale is a light green pigment with strong yellow undertones. It is an opaque colour with strong tinting properties.
Series number: 4 Chemical description: Hydrated chromium oxide, Cadmium zinc sulphide Color index name: PG18, PY35 Color index number: 77289, 77205 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartCerulean Blue was developed in 1805 and entered the English market in the 1860s. Its name derives from the Latin Caeruleum meaning sky-blue pigment. It is a bright blue pigment with green undertones.
Series number: 4 Chemical description: Cobalt stannate Colour index name: PB35 Colour index number: 77368 Permanence rating: AA ASTM lightfastness rating: I Transparency/Opacity: SO
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Read moreFrench Ultramarine is a rich transparent blue. It was created by French chemist Guimet in 1828 as a synthetic but chemically identical alternative to the expensive pigment derived from Lapis Lazuli.
Series number: 2 Chemical description: Complex sodium alumino-silicate containing sulphur Colour index name: PB29 Colour index number: 77007 Permanence rating: A(iii) ASTM lightfastness rating: I Transparency/Opacity: T
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Read moreUltramarine Violet is a rich purple colour. It is a derivation of French Ultramarine, a synthetic pigment created in 1828 by French chemist Guimet as an alternative to genuine Ultramarine.
Series number: 2 Chemical description: Complex sodium alumino-silicate containing sulphur Colour index name: PV15 Colour index number: 77007 Permanence rating: A(iii) ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartQuinacridone Magenta is a rich deep violet-red colour. It is based on the Quinacridone pigment. The name Magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy.
Series number: 2 Chemical description: Quinacridone Colour index name: PR122 Colour index number: 73915 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartMagenta is a rich deep violet red colour. It is a transparent pigment. The name Magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy.
Series number: 2 Chemical description: Dioxazine violet, Quinacridone red Colour index name: PV23, PR122 Colour index number: 51319, 73915 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Read moreCadmium Red is an opaque red pigment with excellent covering properties. It is a genuine single pigment colour and has been favoured for its strong rich colour by artists such as Matisse.
Series number: 4 Chemical description: Cadmium sulphoselenide Colour index name: PR108 Colour index number: 77202 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: O
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Add to cartIndian Yellow is a vibrant yellow pigment which has been used by artists such as Turner. Originally a colour created in India from the urine of cows exclusively fed on mango leaves, Winsor & Newton created an alternative closely resembling the original.
Series number: 2 Chemical description: Synthetic iron oxide, Isoindolinone Colour index name: PR101, PY139 Colour index number: 77491, 56298 Permanence rating: A ASTM lightfastness rating: I Transparency/Opacity: T
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Add to cartWinsor Lemon is a clear bright yellow colour with excellent tinting properties. It is a variation of the Hansa pigments which were discovered in the early 1900s in Germany
Series number: 2 Chemical description: Arylide yellow Colour index name: PY3 Colour index number: 11710 Permanence rating: A ASTM lightfastness rating: II Transparency/Opacity: ST
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Add to cartRaw Umber is a rich brown pigment made by the natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined.
Colour Number: 554
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PBk9,PBr7,PR101
Permanence: Extremely Permanent
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Add to cartFrench Ultramarine is a rich transparent blue. It was created by French chemist Guimet in 1828 as a synthetic but chemically identical alternative to the expensive pigment derived from Lapis Lazuli.
Colour Number: 263
Lightfastness: Excellent
Opacity: T
Series: 1
Pigment Code: PB29
Permanence: Permanent
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Add to cartWhy choose Oil Paints? With a wide range of colours and rich depth, these paints let you unleash your creativity like never before. Plus, their slow drying time gives you ample opportunity to perfect your masterpiece (perfect for slow coaches and perfectionists). Whether you prefer thin glazes or thick impastos (we like it thick!), Oil Paints have got you covered. With so many top quality brand options to choose from, and with prices as lekka as ours, we suggest you give ’em a go!
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Mixing Base: Titanium White is a crucial mixing colour. Use it to lighten other colours, create tints, and control the overall value of your palette.
Impasto Techniques: Experiment with impasto techniques by applying thick layers of Titanium White. This adds texture and three-dimensionality to your artwork.
Blending: Titanium White is excellent for blending and softening edges. Use it to create smooth transitions between different colors and shapes in your painting.
Highlighting: Use Titanium White for highlighting. Apply it to the areas of your composition that are hit by direct light to enhance the sense of volume and realism.
Creating Pastels: Mix Titanium White with other colours to create pastel tones. This is useful for conveying a softer or more muted atmosphere in your paintings.
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Transparency: Zinc White is more transparent than Titanium White. Use it when you want to add a subtle haze, glaze, or create delicate effects in your painting.
Soft Highlights: Zinc White is ideal for creating soft, subtle highlights. It works well in areas that require a gentle touch, such as skin tones or atmospheric effects.
Mixing with Bright Colors: Combine Zinc White with bright, intense colors to create lighter tints without overpowering the vibrancy of the original color.
Luminosity: Use Zinc White to enhance the luminosity of colors. Mix it with transparent or translucent colors to create a glowing effect in your artwork.
Layering: Due to its transparency, Zinc White is suitable for layering. Experiment with layering it over other colors to create nuanced transitions and subtle variations.
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Warm Blacks: Black Oxide tends to have warmer undertones. Use it for warm black tones in your paintings, especially when you want to avoid a cool, stark appearance.
Mixing with Reds: Experiment with mixing Black Oxide with reds to create deep, warm purples suitable for shadows and darker areas in your compositions.
Underpainting: Use Black Oxide as an underpainting color for warm-toned subjects. It provides a solid foundation for building up other colours.
Layering Techniques: Due to its semi-transparency, Black Oxide is suitable for layering. Build up layers to create subtle transitions and add complexity to your shadows.
Textured Surfaces: Apply Black Oxide with textured brushes or palette knives to create interesting and textured surfaces, such as aged wood or stone.
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Creating Depth: Lamp Black is excellent for creating depth and shadows. Use it sparingly in mixtures to darken colors and add depth to your compositions.
Mixing Grays: Mix Lamp Black with white to create a range of grays. Experiment with different ratios to achieve cool and warm gray tones suitable for shadows and highlights.
Contrast: Use Lamp Black for high-contrast elements. It works well when paired with bright colors, creating visually striking focal points in your painting.
Subtle Textures: Apply Lamp Black in controlled strokes to create subtle textures, such as fur, hair, or fabric. This adds detail without overpowering the overall composition.
Outlining and Detailing: Lamp Black is effective for outlining and detailing. Use it to define shapes and add fine details to your artwork.
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Neutral Tones: Paynes Grey is a neutral gray-blue. Use it to create shadows and neutral tones in your paintings without shifting the overall color temperature too much.
Mixing with Browns: Combine Paynes Grey with earth tones like Burnt Sienna or Raw Umber to create muted and natural-looking dark colors suitable for landscapes.
Water Reflections: Paynes Grey is excellent for depicting water reflections. Use it to capture the subtle interplay of light and shadow on water surfaces.
Atmospheric Effects: Apply Paynes Grey in areas that require atmospheric effects. It’s effective for conveying distance and depth, especially in landscapes.
Glazing: Utilize the transparency of Paynes Grey for glazing techniques. Layer it over other colors to add depth and create subtle color variations.
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Subdued Atmosphere: Grey of Grey is ideal for creating a muted, subdued atmosphere in your paintings. It works well for foggy or overcast scenes.
Tonal Studies: Utilize Grey of Grey for tonal studies and value sketches. Its neutral tone allows you to focus on the play of light and shadow without the distraction of strong colour.
Mixing Neutrals: Experiment with mixing Grey of Grey with other colours to create a variety of neutral tones. This can be valuable for creating realistic skin tones and natural textures.
Architectural Details: Grey of Grey is great for capturing architectural details and urban scenes. It can be used to convey the subtle variations in concrete, metal, and other man-made structures.
Highlighting: Use Grey of Grey to add subtle highlights to objects in shadow. This can create a more nuanced and realistic depiction of light in your paintings.
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Rich Skies: Ultramarine Blue is a classic choice for painting skies. It can produce rich, deep blues that are perfect for creating the illusion of distance in landscapes.
Mixing Purples: Mix Ultramarine Blue with reds or magentas to create vibrant purples. This is useful for floral paintings or adding depth to shadows.
Water Reflections: For realistic water reflections, incorporate Ultramarine Blue into your water scenes. It can capture the depth and clarity of water in various lighting conditions.
Granulating Effect: Ultramarine Blue has a granulating quality that can add texture to your paintings. Experiment with this effect, especially in seascapes or paintings with rough surfaces.
Glazing: Ultramarine Blue is suitable for glazing techniques. Apply thin layers of the colour over dry layers to add depth and complexity to your paintings.
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Deep Shadows: Prussian Blue is excellent for creating deep, intense shadows. Use it sparingly to add contrast and drama to your paintings.
Mixing Greens: Combine Prussian Blue with yellows to create rich, natural-looking greens. This is particularly effective for foliage in landscapes.
Ocean Depths: Prussian Blue is a popular choice for depicting the deep, dark depths of oceans. Use it in marine paintings to capture the mysterious beauty of underwater scenes.
Layering: Due to its transparency, Prussian Blue is well-suited for layering. Build up layers to achieve a sense of depth and luminosity in your artwork.
Winter Scenes: This color is perfect for winter landscapes. Its cool undertones can convey the chilliness of snow and ice, making it a go-to choice for winter-themed paintings.
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Natural Textures: Indigo is excellent for capturing the textures of natural elements like rocks, bark, or soil. Its deep and muted tone adds a realistic touch to these surfaces.
Night Skies: Use Indigo to paint nighttime scenes or skies. It can create a serene and calming atmosphere, especially when combined with subtle highlights.
Mixing Greys: Indigo can be mixed with other colors to create various shades of grey. This is useful for rendering objects in shadow or creating a monochromatic color scheme.
Floral Details: Add depth to floral paintings by incorporating Indigo into the shadows of petals and leaves. It can enhance the three-dimensional quality of your botanical subjects.
Moody Landscapes: Indigo is perfect for conveying a moody or mysterious atmosphere in landscapes. Experiment with this color in combination with other dark tones to evoke a sense of drama.
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Vibrant Skies: Phthalo Blue is known for its vibrant and intense hue, making it a great choice for painting bright and clear skies. Use it to capture the essence of a sunny day.
Ocean Waves: Phthalo Blue is often used to depict the dynamic and translucent quality of ocean waves. Experiment with brushstrokes to convey the movement of water.
Mixing Greens: When mixed with yellow, Phthalo Blue produces bright and lively greens. This makes it an excellent choice for painting lush landscapes and foliage.
Atmospheric Perspective: Use Phthalo Blue to create atmospheric perspective in landscapes. Objects in the distance can be painted with a lighter tint of this color to suggest depth and distance.
Glazing Effects: Due to its transparency, Phthalo Blue is well-suited for glazing techniques. Layer it over dry paint to achieve a glossy and luminous effect in your artwork.
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Sky and Water: Cerulean Blue Hue is often used to paint skies and bodies of water. Its soft and serene hue is perfect for creating calm and tranquil scenes.
Clouds: Capture the fluffy and light quality of clouds by incorporating Cerulean Blue Hue into your sky paintings. It adds a natural and airy feel to cloud formations.
Mixing with Earth Tones: Experiment with mixing Cerulean Blue Hue with earthy tones like sienna or ochre to create interesting and natural-looking grays. This can be useful for creating stone or concrete textures.
Reflections: Use Cerulean Blue Hue to paint reflections in water. It can create a realistic mirror effect, especially in calm and reflective surfaces.
Impressionistic Landscapes: This color is well-suited for creating impressionistic landscapes. Its soft and muted quality can give your paintings a dreamy and romantic feel.
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Mixing Tip: Cobalt Blue can be mixed with Titanium White to create various shades of light blue. Experiment with different ratios to achieve the desired tint.
Transparency: Cobalt Blue is generally a transparent color. Utilize this property by layering it over other colors to create interesting glazes and depth in your paintings.
Sky and Water: Cobalt Blue is excellent for depicting skies and water bodies. Use it in combination with other blues to capture the nuances of natural landscapes.
Underpainting: Use Cobalt Blue as an underpainting color to establish the cool tones in your artwork. It provides a solid foundation for building up other colors.
Limited Palette: Cobalt Blue works well in a limited palette. Combine it with warmer colors like Burnt Sienna and Cadmium Yellow for a balanced and harmonious painting.
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Nature Scenes: Cinnabar Green Hue is ideal for portraying lush green landscapes. Experiment with mixing it with yellows and blues to capture the varied shades of foliage.
Complementary Colors: Pair Cinnabar Green Hue with its complementary color, Red, to create vibrant contrasts in your paintings.
Layering: This color has good transparency. Use it for layering to achieve depth in forest scenes or to create interesting textures in vegetation.
Neutralizing: Cinnabar Green Hue can be used to neutralize warm tones in a painting. Mix it with reds and yellows to create subdued earthy colours.
Experiment with White: Try mixing Cinnabar Green Hue with Titanium White to create various tints. This can be useful for portraying atmospheric effects or distant foliage.
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